Technical Specifications

Sensor Type

V-RAPTOR™ [X] 8K VV 35.4 Megapixel Global Shutter CMOS

Effective Pixels

8192 x 4320

Sensor Size

40.96 mm x 21.60 mm (Diagonal: 46.31 mm)

Dynamic Range

17+ stops

Built-In ND

Motorized clear filter and precision controlled electronic ND filter

Electronic ND minimum density 2 stops, maximum density 7 stops

Electronic ND selectable increments of 1/3 stops, 1/4 stops, and 1 stop

Mount Type

Interchangeable lens mount, included V-RAPTOR XL PL Mount (shimmable)

Optional V-RAPTOR XL locking Canon EF Mount

Physically compatible with DSMC Lens Mounts, but does not provide electronic communication or control.

Battery Types

Integrated dual voltage 14/26-volt V-Lock battery interface

Integrated dual voltage 14/26-volt Gold Mount battery interface

Max Data Rates

Up to 800 MB/s using RED branded or other qualified CFexpress media cards¹

REDCODE® RAW	VV

Maximum	Super 35
Frame
Rates
	Super 16

120 fps at 8K 17:9, 150 fps at 8K 2.4:1

140 fps at 7K 17:9, 175 fps at 7K 2.4:1

160 fps at 6K 17:9, 200 fps at 6K 2.4:1

192 fps at 5K 17:9, 240 fps at 5K 2.4:1

240 fps at 4K 17:9, 300 fps at 4K 2.4:1

320 fps at 3K 17:9, 400 fps at 3K 2.4:1

480 fps at 2K 17:9, 600 fps at 2K 2.4:1

Playback Frame Rates
(Project Time Base)

23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps, at all resolutions

Best Available REDCODE®
Settings

REDCODE HQ, MQ, LQ, and ELQ at 8K 17:9 up to 60 fps

REDCODE LQ and ELQ at 8K 17:9 up to 120 fps

REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 up to 96 fps

REDCODE MQ, LQ, and ELQ at 6K 17:9 up to 160 fps

REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 up to 240 fps

REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 up to 480 fps

REDCODE RAW
Acquisition Formats

8K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x

7K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x

6K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x

5K 17:9, 2:1, 2.4:1, 16:9, 1:1

4K 17:9, 2:1, 2.4:1, 16:9, 1:1

3K 17:9, 2:1, 2.4:1, 16:9, 1:1

2K 17:9, 2:1, 2.4:1, 16:9, 1:1

Apple® ProRes

Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT, with resolutions up to 4K (4096 x 2160) 120P

Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) up to 60P

Construction

Aluminum Alloy

Weight

7.99 lb (with PL Mount, V-Lock) | 8.08 lb (with PL Mount, Gold Mount)

Dimensions

Length: 7.91 inches, Width: 6.29 inches, Height: 7.22 (antenna) 6.53 (body) inches

Media Type

CFexpress Type B

DC Power

+19.5 to +34 volts DC using the integrated 4-Pin DC-IN port

Operating Temperature

32˚ F to 104˚ F (0˚ C to 40˚ C)

Storage Temperature

–4˚ F to 122˚ F (–20˚ C to 50˚ C)

Relative Humidity

0% to 85% non-condensing

RED® Global Vision

Extended Highlights capability to capture more detail and color in extreme dynamic range scenarios

Phantom Track recording mode to capture multiple LED instances as dedicated clips

Color Management

Image Processing Pipeline 2 (IPP2)

Supports 33×33×33 3D LUTs

Supports import and adjustment of CDLs

Audio

Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz

Integrated dual channel mic/line/+48 V input through the 5-Pin Audio Port, uncompressed, 24-bit 48 kHz

Autofocus

Phase Detect with Face Detection

IP Connected

Compatible with the RED Connect Module for live 8K R3D video over IP or live 4K over SMPTE ST 2110

Dual band Wi-Fi (2.4 GHz or 5 GHz) for wireless camera control, live preview, and direct Camera to Cloud workflow using FrameIO or Amazon S3

Wired control over USB-C or 9-Pin Gigabit Ethernet for remote camera control, live preview, direct Camera to Cloud workflow and high speed remote media offload

Power Outputs²

Regulated 12 V outputs: Two P-Tap connectors (3 amps combined), one rear 2-pin 0B (3 amps), one rear 2-pin 0B (1.5 amps), one front 2-pin 0B (1 amp)

Regulated 24 V outputs: Two front 3-pin Fischer (3 amps combined)

Monitor Outputs

Proprietary Top Accessory Port for Power, Monitoring and Control

Three 12G-SDI ports with 6G-SDI, 3G-SDI and 1.5G-SDI modes with 10-bit 4:2:2 bit depth (SDI 1/2/3)

One 3G-SDI with 3G-SDI and 1.5G-SDI modes (EVF SDI)

12G-SDI: Up to 4096 x 2160 4:2:2 for 60p

6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p

3G-SDI: Up to 2048 x 1080 4:2:2 for 60p

1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

Monitor Options

DSMC3™ RED® Touch 7.0” LCD

RED® Compact EVF with DSMC3™ Adapter A

Wireless 1080p live preview video feed using 2.4Ghz / 5Ghz Wi-Fi for framing

Integrated 2.4" LCD for camera control (no preview video)

Additional I/O

Tri-Level Genlock through the GENLOCK BNC port

Linear Timecode (LTC) through the TIMECODE 5-pin 0B port

PTP and remote camera access through the GIG-E 9-pin 0B port

RCP2 Camera Control through the 4-pin 00B CTRL port

Wireless Genlock and Timecode through the integrated Ambient Communication Network (ACN) antenna

Software

RED Control and

RED Control Pro

Access full camera controls and live preview from iOS or Android devices

Pro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-camera shoots, and live events, all from one central location

Standard app available from the Apple App Store and Google Play Store

RED Control Pro available from Apple App store only and requires additional purchase

RED Control works wirelessly or wired using USB-C